Animation For Art’s Sake

 

William Kentridge at the SFMOMA thru May

ASIFA-SF president Karl Cohen recommends…

I finally saw William Kentridge: Five Themes and it is an amazing, not-to-be-missed exhibit.  If animation as art interests you, his is the most exciting art exhibit that I’ve seen in several years. The show isn’t about storytelling, but about technique, presentation and personal content. There are several unique installations in the show including entire large rooms given to 8 and 9 projections of his animated work. One is a homage to Russian constructivist art in the 1920s and it is even more exciting than the Jewish Museum’s present exhibit of this form of art (and I loved that show). Another of the multi-screen displays was inspired by George Melies Trip to the Moon. A third is rear-projected onto a stage set with music by Mozart playing, and yet others include images of Ubu Roi.
 
There is one work presented that really needs to be seen, not described, but I’ll try: A video projector shows animated images distorted on a very large concave round mirror, which also contains a reflective cylinder in the center of that disc. In that mirror you see the image correctly—it is a fascinating optical experience.
 
William Kentridge: Five Themes will be on display thru the end of May and provides a comprehensive survey of the South African artist’s work. The exhibition explores five primary themes that have engaged him over the past three decades. It features more than 75 works in a range of media—including animated films, drawings, prints, theater models, sculptures, and books. For more information and museum times/location visit SFMOMA.org.
 

Academic Animation (and more)

 

Academy of Art University 2009 Spring Show                              

Everyone’s invited to view this year’s student showcase of fresh talent; while the school encompasses a huge range of artistic studies, there’s a substantial animation component as well. In addition to film clips you can see original artwork in the form of traditional illustrations, 3-d maquettes, and more. The exhibit runs thru July but the grand opening and reception is this Thursday, May 21, from 7pm to 9pm at Academy of Art University 601 Brannan Street (at 5th Street) San Francisco, CA 94107.

This event is open to the public, and–oh yeah, admission is Free!

(above artwork by Tzu-Ying Ho and N. Suwankiri)

Set Viewscreens West!

 

Trek FX Chief beams down to Balboa

If you haven’t seen Star Trek yet (and don’t worry, we won’t tell), or more likely, you’d like to see it again, the Balboa Theatre is thrilled to announce that the Visual Effects Supervisor for the series reboot and many other films will appear after the 4pm and before the 7pm shows on Sunday, May 17. He will discuss the making of J.J. Abrams’ Star Trek and other aspects of working at Industrial Light & Magic.

He might not be able to change the laws of physics but Roger Guyett has been bending them onscreen with ILM since 1994. His credits include Casper, Twister, Dragonheart, Harry Potter and the Prisoner of Azkaban, and lots more. If the show itself isn’t enough enticement, the great venue and Roger’s insights should make the difference. Don’t miss it!

Sunday, May 17, 4pm and 7pm
Balboa Theater 3630 Balboa Ave (@38th) San Francisco

Animation Film Finals

 

SF State University
Friday, May 15, 2009 • 03:00 PM - 04:30 PM

The doors of the McKenna Theatre, in the Creative Arts building, swing wide open for the annual screening of the school’s top animated student films of 2008-09. Happily, the venue has moved to the big room, because this has traditionally been a standing-room only event. Still, get there early for the best seats!

Admission is free, what else do you need to know? Prepare to laugh, cry, gasp and kiss 90 minutes goodbye!

ASIFA-SF Open Screening

 

…for Students and Indies
Friday, May 8, 7:00 pm
McBean Auditorium, Exploratorium, S.F.

We’ll be showing student, and independent films, including work by

Don Albrecht, a former Disney animator, who will have another outrageous surprise. Jett Atwood’s Tea for Two. Based on a pencil test made at Sheridan College, he finished this film on his own a year and a half later.

Signe Baumane’s Birth, is a powerful emotional work about one woman’s experience. Charlie Canfield is bringing excerpts of his animation for the Emmy nominated A Span in Time. (The award ceremony is May 9—Good luck Charlie!)

Gene Hamm will delight us with Chinese Medicine, Puncture Perfect (made for his comedy act) and his disturbing The Truth About Cut Flowers? Plus, a real surprise by Michael Langan (I think you will be quite impressed.)

San Francisco State’s Animation
program is presenting student music synch projects, Plus lots of other surprises including work from SF State, San Jose State and De Anza. The show is always a lot of fun and well attended, so arrive early for a good seat.

Okay, it’s not a contest, but an opportunity to screen your student or indie work (or work in progress).  Last minute entries are welcome. The Exploratorium can show DVDs, 16mm and even VHS tapes.

Dinosaur Rock May 5


 

THE LOST WORLD WITH DENGUE FEVER
Tuesday, May 5

On Tuesday, May 5, the great, genre-busting pop band Dengue Fever will perform the world premiere of their newly composed score for the first cinematic adaptation of Arthur Conan Doyle’s adventure yarn The Lost World at the Castro Theatre as part of the 52nd San Francisco International Film Festival. Of course, this archetypal voyage to a forbidden South American plateau teeming with prehistoric flora and fauna was Oakland-born Willis O’Brien’s principal warmup for King Kong—right down to the climactic rampage of a captured brontosaur in downtown London.

Tickets are $15 and are on sale now for San Francisco Film Society members whose memberships are valid through the 5/8/09. General public tickets are $20. Buy now.